Archive for October, 2009

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Review of Michael Jackson’s “This Is It”

October 29, 2009

First off, I would just like to state that I write this review as a ‘normal’ fan of music, and of many artists, including Michael Jackson.

I am not one of those people who gets hysterical at the mention of his name, and I am not one of those people who worships absolutely everything that MJ did; I am just your average Joe. I say this, as I am most likely about to rave over this movie, and although it’s a little sad that I feel the need to say this, I would like for people to see that I went to the movie with an open mind and am not just gushing for the sake of it! I genuinely enjoyed watching it.

So, now that’s said, let us begin :)

michael-jackson-this-is-it-movie-poster

Myself, Tom and Carlos went to see ‘This Is It‘ on the first evening at Greenwich (UK) IMAX (and opted for Premium Seats) – in theory, giving us the best seats for this in the country! Oh, and yes, I did stay up until Midnight on the 27th September to book them! :)

All three of us thought that the movie was absolutely fantastic, and I think I can safely say that we all left the cinema thinking that the shows at the O2 would undoubtably have been the shows of his career (and the best we’d ever seen!). For me, saying that is quite something as, due to the nature of my job, I get to see a lot of concerts and shows, definitely more than your average person I reckon.

(I recommend watching the trailer in full screen HD – it’s awesome!)

What Sony/AEG have done is to stitch together an awful lot of rehearsal footage and essentially recreate the concert that never was. As you would expect, not all of the shots are of cinematographic quality and there is little in the way of narration, but then, we know this is not what the movie is about. In fact, the movie barely mentions Michael’s death, and they have seemingly resisted the urge to make it overly poignant and soppy. This film aims to try and showcase the potential that ‘This Is It’ had for you and me, as audience members at the O2 Arena, to see had we been sat there with 20,000 other people – it is not a documentary.

I have seen a lot of negative reviews in the British media, with many people saying that they hated it and that it was clearly rubbish as “MJ didn’t even look close to death” (erm, hello, drug overdose/heart attack!). They also do not seem to have grasped the concept of the movie, which is somewhat annoying. The media seem to be jaded against anything that is being released by The Michael Jackson Company at the moment -  I guess it is easier to be critical/cynical than supportive / open-minded at this time.

Michael-Jacksons-This-Is-It

Anyway, I have rambled, sorry! I just don’t want people to be taken in by all of the 2 and 3 star reviews that are out there which are based on ‘This Is It’ as a documentary/bio-pic and not as it being clips of rehearsal footage of a concert. I disagree with the notion that “MJ’s vocals and dancing abilities had clearly deteriorated” – the guy was at a fairly relaxed rehearsal, and was also taking in all aspects of the show itself at the same time, so wouldn’t have given the singing/dancing 100%! He seems to have put an awful lot of effort in, especially considering these were just preliminary rehearsals, and I doubt you’d have gotten footage anywhere near this intense/professional had it been a rehearsal of any other artist.

What really comes across in this movie is the attention to detail that MJ had for his craft. Every minute detail seemed to be scrutinised by him, and it was clear that he was always very conscious of giving the audience a show and knew exactly what they wanted. He was the ultimate showman, and I would say that he was on par with the great Freddie Mercury. I think that he had put a lot of pressure on himself for this show, however I think that this would have been true of any tour that he was working on – he came across as being a bit of a perfectionist. To his credit he could have said ‘I’m Michael Jackson, they’ll love me anyway’ and put a whole less effort in. What I also came to respect was that MJ was really the one who put the tour together – Kenny Ortega came across as a bit of a ‘yes-man’ and I would go as far to say that MJ was definitely the person inputting all of the creativity into the partnership, and seemingly retained total control over proceedings.

A few people are saying that MJ came across a bit of a diva in his quest for perfection due to a few recorded moments shown in the movie. It’s sad that they can’t recognise these as also being endearingly funny moments. The best of which was when MJ had the ear feed blaring down his ear, and he stopped the performance and whined ‘It’s like it’s fisting my ear’ and then proceeded to do several fisting movements, at force! LOL! It was moments such as these, that made the audience chuckle and added some humanity to the rehearsal in my opinion. Yes, he’s having a bit of a strop, but in a lovable ‘oh Michael’ kind of way. You know that when he watched it back (if indeed he ever did – the rehearsals were originally recorded as footage for his personal archive) that he would have giggled a little too. Two other bits that will stick with me include when he was on the mechanical arm and Kenny has to shout ‘Michael, please, HOLD ON!’, and also when MJ’s eyes suddenly light up and he randomly shouts out ‘burn it!’ heh. The moment with the “Well… I’ll just feel it” and the subsequent (but petulant) compromise to have video screen off-stage instead on the cue to start singing on Smooth Criminal also made me chuckle.

The show would have been a technical triumph in my opinion. All of the pre-recorded CGI / 3D shots looked really good, and the new staged version of Thriller looked simply stunning. Surprisingly, it seemed to be Michael pushing the boundary, especially with things such as his choice of clothing for the show (they should have shown us!), and I think that it gives a small glimpse of just how well he was able to keep up with the times and breaking/emerging technology to ensure that he put on a truly sensational show.

I was very pleased to see all my favourite tracks on the set list (Beat It, Smooth Criminal, They Don’t Care About Us, Heal The World), though it was a pity my other favourite ‘Leave Me Alone’ wasn’t on the bill. It goes without saying that I enjoy Thriller, Man In The Mirror, Billie Jean, Earth Song et al very much too, just those mentioned are my absolute favourites!

The audience in the cinema were largely receptive, and often applauded. If you want to see every last second, there are a few more clips right at the very very end (but you have to look silly by sitting in the cinema on your own with the cleaners working around you, as everyone else WILL leave heh!).

I have been fairly close to the tour since MJ’s death due to my employment, and it was especially nice for me to get a glimpse of what is currently causing me a lot of stress and late nights. I mean that in a nice way though, seeing this footage definitely makes it all worthwhile, it genuinely does. We even get a thanks (by extension) in the credits, hurrah!

MJ This Is It

It will remain one of pop music’s biggest tragedies that this show was never seen in full by anyone, however I think that the decision to release this footage as a movie was a great one. Forget about it being released to make money (the world is largely a capitalist one; you can’t criticise Sony / AEG for doing this in my opinion), it was a release that I think that the fans needed, and fans of live entertainment would have been dismayed not to have seen. It was great to see Michael relaxed in rehearsals, and not acting for anyone or being a showman for the massive crowds, though his personal wardrobe was admittedly garish heh! A great 111 minutes, and I will definitely be purchasing the DVD of the movie, and watching it time and time again!

I’d like to close this post with the final paragraph of a review piece by Sitafa Harden and published on DigitalJournal.com (I’d recommend checking out the full review – I agree with this person’s sentiments exactly – especially regarding the ‘lack of interest’ that people seem to have over the release of ‘This Is It’):

This film left no doubt that if Jackson’s final show had gone on it would have been a glorious success. For his fans that realization was bittersweet. Some cried. For 111 minutes he was alive again. And when the movie ended, most of them remained in their seats watching all the credits until finally the screen went black, wishing and hoping there would be just one more clip or sound bite. But, sadly, regretfully, finally…that was it.

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Cheryl Cole – 3 Words (Album)

October 27, 2009

I make no bones about saying this, and it’s going to be unpopular with some readers I’m sure, but I really disliked the album (and it seems that most of the British newspaper reviews are with me on this).

cheryl

Having  loved ‘Fight For This Love’ and absolutely played it to death, the rest of the album came as a huge disappointment if I am honest. I think that given where she is at the moment, and all the success she’s currently enjoying, I expected better than this album has ultimately delivered.

The main bugbear for me is that there are far too many collaborations with will.i.am. He’s the only artist that she’s collaborated with, and it seems that he is credited as being an artist on 37% of the album! (plus he worked a lot behind the scenes on some of her other tracks). Crikey!

Sorry, but in this case, the pupil really has surpassed the mentor!

As always, I had a listen to the album whilst at work, so I made a few thought notes against each track, which I have shared below.

NB – these are in order of how the ‘random’ function on Spotify played them, so are not in track listing order.

3 Words - Dull, boring… tries to be pulsatingly tense and threatening, but ultimately fails and becomes repetitive.

Rain On Me - A good track, not a big fan of all the vocal overlays or the continuation of the stripped back instrument sound at the swell of the chorus, but a potential single?

Heartbreaker - I already know from the singles chart that I dislike this track… sorry! On second listen, I still dislike!

Parachute – vocal sounds a little flat and lacking in attitude… nice melody to the song, but let down by the vocal.

Stand Up – how I was hoping that the album would sound! A good song for the clubs, had me dancing along to it in my chair!

Fight For This Love - amazing, amazing, amazing – I continue to love this song! I can pretty much forgive the rest of the album for the fact that this song is included on it. Probably second best single of 2009 after Alexandra’s ‘Bad Boys’!

Happy Hour - a little middle of the road, but refreshingly different to the rest of the album.

Don’t Talk About This Love - quite a nice little ballady type song. Won’t set the World alight, but still rather nice nevertheless.

Heaven – Tolerable but plods a long a little, the ‘you, you, you’ and the ‘witchoo’ grates quite a bit.

Make Me Cry -
again, a little dull/repetitive.

Boy Like You - I do quite like this one, but again, it’s not amazing. Something to dance to in a club though.

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Glee (TV Show)

October 26, 2009

I posted a Sam Tsui / Kurt Hugo Schneider video on Facebook earlier in the week, which was a cover of Journey’s ‘Don’t Stop Believing’ and someone commented that he was actually covering the “Glee” version of the track.

Skip to me then checking out what Glee was (on their recommendation), and I instantly knew that I had to watch this series – I am the biggest musical theatre fan you’re ever likely to meet, and love this style of choral/group music! :D I also really like this type of TV show format.

“Glee” follows an optimistic high school teacher as he tries to transform the school’s Glee Club and inspire a group of ragtag performers to make it to the biggest competition of them all: Nationals.

It’s already been shown in Australia (I believe) and started airing in the US from September 9th 2009. In the UK, E4 will be showing the series from January 2010. The series is 22 episodes long, so there’s an exciting amount of musical numbers packed in!

From what I’ve seen and read, it’s been a runaway smash hit and has really connected with it’s target audience. Forget ‘Britannia High’ (ugh), The Glee Club at William McKinnley High School is where it’s at! :D   As I predicted, E4 were the ones in the UK to pick this up, though I have been able to source the whole series online so am already ahead – hurrah!

I am loving the look of the soundtrack too!

An additional music highlight (thus far) was Episode 5’s sing-off betwen Kristin Chenoweth (Wicked) and Lea Michele (Spring Awakening) on ‘Maybe This Time’ – which was a musical theatre enthusiast’s dream! It was great to see Chenoweth in a role that wasn’t ditzy Glinda, but I do think that Michele just pipped her vocal in this song.

(the choral version of ‘Rehab’ is AWESOME!)

Oh, and as for the fantastic Sam Tsui / Kurt Hugo Schneider video, here that is! :D

Glee

Image Credit: http://tam-atm.livejournal.com

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Geocities – My First Web Page

October 26, 2009
Just kidding.... ;-)

Just kidding.... ;-)

Heavens above!

With all the social media attention going to Geocities at the moment (it closes today after nearly 15 years – strange to think it was a pioneer back in 1995), I thought I’d have a root around and try and see if I could find my old account. I honestly wasn’t expecting to be able to.

Surprises of surprises though, I did, and I was fairly ’shocked’! I was a completely different person back then – looking back at it now, I am cringing something rotten!

The picture seems to have gone (thankfully!), but the basic text content remains the same (along with the horrible advert bar at the side). My site was last edited in 2003 (six years ago), and would have been created around that same time, so I would have been 16/17. I don’t think this was my first attempt, but it is definitely the attempt I seem to have decided to settle with. It makes you wonder how bad the other attempts were! ;)

As with most people, Geocities was my first attempt at building a website, and to be honest, I thoroughly sucked!

That said, I am VERY pleased that I had a flash of inspiration to look and see if my old account was still on there, as it was a completely unexpected reminder of how I used to be, and just how much I have grown up since then! It’s like one of those letters written to your future self, in a  weird way.

Oh, and straightacting.com is now an application on Facebook apparently… my, how times have changed! If I bothered using apps on Facebook, I am dead cert I wouldn’t get a ten these days (and certainly wouldn’t wave it around like a badge of honour heh!!). Europride at Manchester? Gosh!

What, you want to see it? Have I not stalled you long enough? Oh goodness, go on then…

Geocities page

Oh, and xkcd.com have a marvellous Geocities themed webpage in honour of the closing of the Geocities site… it looks fabulous! (have a look today – 26 Oct 2009 – though… I don’t want to take images of sites I don’t own!)

BYE BYE GEOCITIES, U WOZ LOTZ OF FUN! *WAVES*

[I wish there was a midi of the funeral march that I could upload here!]

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vLog – 25 October 2009

October 25, 2009

It seems that my new phone may take nice quality images, but is absolutely awful at recording sound… gah!

Whack the sound up please folks! ;)

For those people viewing this post via RSS, please view this post on my blog directly through your browser, or visit http://vimeo.com/darkaeon ~ thanks!

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Manchester Pride Parade 2009 : Video Pictures

October 25, 2009

So, I have FINALLY gotten around to sharing my Manchester Pride pictures!

I spent so long working on videos for them on several different platforms when I got back, I completely forgot to share them… then got sick of the sight of them, and now have remembered to post heh. I may post some of the originals up too at some point as they’re of high image quality – hurrah.

Loved the parade this year; enjoy!

(P.S. The animoto player takes a little while to load, please bear with it! Also, full screen is, naturally, the best way to view!)

(P.P.S. B*ll*cks… I had shared already after all!)

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Rachel Adedeji – ‘Proud Mary’

October 25, 2009

Last night, I thought Rachel gave what I would describe as the performance of the series on X-Factor – it was phenominal for this stage of the competition!

It has to be the only X-Factor performance that I have ever danced along to as well!

I’ve thought that she’s been consistently amazing throughout the competition, and so I really do hope that people vote for her.

My three to win have not changed my first predictions at first auditions, and remains as Stacey, Joe and Rachel – with all three to get record deals please!

Her reaction at the end (unfortunately not on this clip) had Greg and I in stitches…! :D

I couldn’t, however, watch the song without thinking of Whoopi… ;)

Rachel Adedeji

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Paloma Faith

October 24, 2009

OK, so it appears that I am a ‘little’ late to the Paloma Faith party, largely due to my being constantly diverted away from writing this blog by other posts, and a lack of time – boo.

I have to say that her recent single, ‘New York’ has not been off my music player since I first heard it – it’s been on constant repeat – I LOVE IT!

I first heard of Paloma Faith via a TV advert for her album, and within 5 seconds of hearing a few bars of ‘New York‘ followed by that delightful transpose with the gospel choir, I’d made up my mind that I had to look this lass up, and had made a note on my phone to do so first thing next morning.

However, about five minutes later, Greg and I flicked over to Friday Night With Jonathan Ross and to my delight, she was his music guest for the week!

I had no idea that the song ‘Stone Cold Sober’, released earlier in the summer, was hers, I just chalked it up to Duffy or someone similar… perhaps unfortunate (in a back-handed compliment kind of way), however Paloma Faith has only recently started getting some mainstream recognition over here in the UK.

Her album/singles originally charted around the #15 mark on entry and didn’t really fare much better – however in the slew of marking and promotion that has been done since, it seems this girl is (rightfully!) on her way to the top! Recently, Paloma’s album topped the iTunes album chart, so it seems that her music is finally getting through to what I would consider the expected demographic.

It seems strange though that the single was released back in September 2009, and they are only now getting her onto the major talk-shows and music shows (such as Later… with Jools Holland). Hopefully, many of the people in the industry and media who originally gave the two singles/album a lukewarm/somewhat jaded reception will revise those thoughts as support for the artist grows.

Stargazer is also a lovely theatrical/dreamy song I think, and is my second favourite song on the album:

I adore her ‘background story’ too – apparently she’s half Spanish, half British (she was born in Hackney, London) and amongst her many prior jobs, she was a magician’s assistant! Her name, Paloma, translates as ‘Dove’ in Spanish.

Her debut album, ‘Do You Want The Truth Or Something Beautiful?‘, is currently in the album charts, and is also available to listen to on Spotify for those wanting to give it a whirl! Paloma is also on the social media network, twitter.

Paloma Faith

Oh… and this latest entry from her video diary on YouTube is charmingly funny! This is the sort of thing that you’d find me doing most days heh! :D Maybe my next vLog post will take this format! ;)

For those of us in the UK, Paloma is playing several gigs, including KOKO  (London), in November… tickets are onsale now!

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Erik Hassle

October 24, 2009

A  friend of mine, Andrew (who has a great taste in music imo!), posted a YouTube link to the song ‘Bump In The Road’ by a Swedish chap called Erik Hassle. I really liked the track, and so I thought that I’d briefly share on my blog:

Having just looked up a few of his other tracks, I especially like ‘Hurtful’, which will be released as a single in February 2010.

Erik is on twitter, and his official website can be found here.

ErikHassle

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Robbie Williams – BBC Electric Proms and new album

October 24, 2009

Having previously blogged about the build up to the performance, I’ve just caught up with the BBC Electric Proms and had chance to see Robbie’s performance, having only had opportunity to listen to the audio via Radio One during the week.

I do wish that he’d stop lauding this ‘it’s been three years since I last gigged’ fact… it makes me feel really old, as I can still remember all the work that we put into his last tour as if it were only yesterday heh!!

The Electric Proms performance at Camden Roundhouse was absolutely fabulous I though!

I’m a fan of the Electric Proms themselves, I tend to love any album or concert that weaves orchestras into popular music (such as Metallica’s S&M gig), and Robbie’s music was rife for such treatment, especially as there seems to be a lot of orchestration in his new album (yay!).

For me, the highlight of the entire gig was when he performed ‘We Know You‘, which will be the second song from his new album, and will be released on December 14th 2009.

The sound on this track is gorgeous! I love the lazy, classical, sweeping refrains/sound to the track, and I have a feeling that I will rate this of one of his best tracks given a few more listens.

Hopefully, that won’t be the kiss-of-death for the track, as I tend to get really passionate about the Robbie tracks (and performances) that fall by the wayside somewhat! (Note, this does not include the RudeBox album… that fell by the wayside all on its own!!).

A few of the other new tracks previewed are as below:

For people in the UK, there are currently plenty of ways to catch up on the performance:

  • Hit the Red button on Freeview (from BBC channels) – or go directly to channel 301 – the gig is on a constant loop.
  • BBC iPlayer also carries the audio from Radio One – which gives an unedited version of the gig (the visual was edited slightly – a lot of the  ad-lib stuff (that was rather endearing to Robbie) was cut out unfortunately).

As a side note, this gig has also been screened in cinemas in several different countries, and has earned this performance the official Guinness World Record for “most cinematic screenings of a live concert” – not bad when you consider that the last Take That concert was made available to people via Vue Cinema screens too!

The track listing for ‘Reality Killed The Video Star’ will be as below:

# Title Length
1. “Morning Sun” 4:05
2. “Bodies” 4:01
3. “You Know Me” 4:27
4. “Blasphemy” 4:18
5. “Do You Mind?” 4:06
6. “Last Days of Disco” 4:50
7. “Somewhere” 1:01
8. “Deceptacon” 5:01
9. “Starstruck” 5:21
10. “Difficult for Weirdos” 4:29
11. “Won’t Do That” 3:38
12. “Superblind” 4:46
13. “Morning Sun (Reprise)” 1:19

Very pleased that Robbie is back on top form, can’t wait for the album, and I really look forward to the possibility of him gigging again in the very near future!

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